In an era overrun by filters, algorithms, and artificially engineered personas, Sofia Carson is a striking anomaly. She is not the product of virality or curation — but of raw, undeniable talent. At a time when anyone can generate a face, a voice, or a performance at the click of a button, Carson reminds us of what cannot be replicated: presence, poise, instinct. Her artistry is not programmed; it’s lived. She sings with soul, performs with intention, and carries herself with the kind of discipline that transcends trends.
Sofia Carson isn’t just relevant — she’s real. And in 2025, that may be the rarest trait of all.

By the time most are winding down, Sofia Carson is still in motion. She’s just wrapped shooting our cover story at Milk Studios in Los Angeles — where she was styled by Wolk Morais, the visionary label helmed by Brian Wolk and Claude Morais. Poised and precise, she is preparing to embark on an international press tour for her latest film, The Life List. Among the more surreal stops? A sunrise hot-air balloon ride over the rolling hills of Temecula, orchestrated by Netflix, floating high above vineyard-laced terrain in a gesture as theatrical as it is poetic.
That paradox is Carson’s essence. She belongs to the heavens, but walks the earth with poise. She’s a 21st-century starlet cast in chiaroscuro: all classic glamour and high-gloss mystery in an age obsessed with disclosure. You won’t find her soft-launching a relationship on Instagram or detailing her weekend in Stories. She doesn’t whisper to the algorithm. She whispers to the camera.

Raised in Miami by Colombian immigrants, Carson grew up immersed in a world of old soul influences — from the music of Edith Piaf to the elegance of Audrey Hepburn. Even her name — Sofia Lauren — nods to a lineage of screen sirens, suggesting a love for performance as a kind of poetry rather than spectacle.
And yet, hers is a voice that resonates across continents. She first rose to global recognition as Evie, the fashion-obsessed daughter of the Evil Queen in Disney’s Descendants, a blue-haired icon for a generation of post-millennial teens. But even then, Carson — already in her twenties — approached the tween franchise with a clarity and control that defied its glittery surface.

She emerged with intention, never swept by the momentum of fame, but steering it. Since Descendants, Carson has carved an unconventional path — turning away from the machinery of fast celebrity in favor of deliberate, layered roles. Her collaborations with Netflix have become a kind of cinematic coming-of-age diary: from the dance-floor resilience of Feel the Beat to the heartbreaking pragmatism of Purple Hearts, where she played a musician who marries a marine for health insurance. Carson didn’t just star in that film — she wrote the soundtrack, executive produced it, and held the narrative with the precision of someone choreographing her own mythology.
That same discipline and emotional clarity extend to her music career. In 2023, Carson took the Oscars stage to perform the nominated ballad “Applause,” written by Diane Warren, in a stripped-down, ethereal performance that drew praise for its restraint and sincerity. The moment solidified her not only as a compelling actress but as a vocalist capable of commanding the world’s most scrutinized stage with quiet force. Soon after, she joined Andrea Bocelli on tour, performing their duet “Moon River” — a feat of both technical prowess and emotional elegance that confirmed Carson’s presence as a musician of rare versatility.

Her latest projects continue this evolution. She appeared opposite Taron Egerton in Carry-On, a high-stakes holiday thriller that shattered Netflix records and cast her as both muse and martyr. Up next is My Oxford Year, a sweeping romance set in academia and longing — her most mature role yet.
There is a quiet force to Carson’s ascent. She hasn’t rushed. She hasn’t overexposed. She has moved like a woman who understands that fame — like love — means more when it’s earned.
And as she sits before me now, the black-clad image of calm after a morning aloft in the sky, it’s clear: Sofia Carson hasn’t come back to earth. She’s simply learned how to carry the sky with her.
